AI Prompt Library

16:9 horizontal screen, street rap MV style, neon purple and blue cool tones, explosive cool and fierce atmosphere. 0-3 seconds: Medium shot push-in, city street night scene with flashing neon lights, an 80-year-old silver-haired woman stands in front of a graffiti wall, short silver-white hair styled in a neat slick-back, distinct square face contour, sword-like eyebrows slanting towards the temples, eyes sharp like electricity, wrinkles at the corners of her eyes like badges of time, a confident smile on the corner of her mouth, wearing a black leather jacket over a white printed T-shirt (large black letters "YOLO" on the chest) + black cargo pants + white high-top sneakers, a thick gold chain necklace around her neck, silver bracelet on her wrist, holding up a microphone with both hands, strong drum beats of the BGM start, the old woman's eyes sharpen, and her lips open to start Rap. 3-7 seconds: Medium shot + close-up switch, the old woman starts rapping, with an extremely strong sense of rhythm, her silver hair flying with her head-nodding movements, one hand holding the microphone, the other hand making gestures to match the rhythm—index finger pointing at the camera, palm cutting the rhythm up and down, making hip-hop gestures, movements are smooth and flowing, eyes sharp and looking directly at the camera, wrinkles vividly jumping with her expression, lips opening and closing rapidly to spit out lyrics: [Rap Lyrics] "Eighty-year-old legs, can jump better than you! Silver hair flowing, this is my pride! Don't call me old, my Flow is better than yours, when you were playing rap, I was listening to disco!" (Fast speed, strong rhythm, fierce attitude) Quick cuts: facial close-ups, hand movements, full-body swaying, side silhouettes, synchronized with the BGM beat. 7-11 seconds: Dance segment, the camera pulls back to show the full body, the old woman starts dancing—first the classic hip-hop bounce, then a neat street dance freeze, followed by a body wave transmitting from the shoulders to the toes, and then a quick footwork workout, movements are clean and sharp, silver hair flies under the neon lights, the leather jacket flutters in the air, she continues to Rap while dancing: [Rap Lyrics] "Legs and feet are nimble, speed is not slow, my lyrics are carved in time! You play with phones, I play with beats, eighty years of life, written into this verse!" (Faster rhythm, stronger tone) Low-angle upward shot + 360-degree surrounding shot, capturing the old woman's cool and fierce dance moves. 11-15 seconds: Climax ending, the old woman makes a cool turn, her silver hair arcs in the air, she faces the camera and makes a "shush" gesture with her finger, then her lips move closer to the microphone, singing the last line in a low, magnetic voice: [Reality Lyrics] "Time never defeats a beauty, I just changed the way I experience youth..." (Slow rhythm, deep emotion, lingering finish) The camera slowly pushes in for a close-up of the old woman's eyes, the wrinkles at the corners of her eyes are all stories, her gaze is still sharp yet with a hint of kindness, the BGM abruptly stops at the climax, the frame freezes on the old woman's cool yet slightly gentle smile, vignetting + neon purple light halo.

A creepy Mexican wind up music box with a spinning taco. It’s playing a creepy version of “Y.M.C.A.” by the Village People that is coming to a stop.

15-second cinematic Japanese drama pure love ambiguous short film, ultra-realistic quality, warm golden sunlight in an empty classroom in the afternoon, spilling through the blinds onto the side-by-side desks, fine dust motes slowly floating in the light beams, old wooden desks, extremely natural subtle movements, breathing, and eye tension, characters maintain consistent faces, clothing, and hairstyles throughout without deformation, drift, or artifacts, real slight chest rise and fall synchronized with breathing, shallow depth of field, creamy blurred background, warm film grain, 8K sharp, Japanese youth restrained heart-fluttering suffocating atmosphere. 0-4 seconds: Extremely slow push-in shot from a medium shot of the desktop to a close-up of the two people's side profiles sitting side-by-side. A pure girl in a summer school uniform is focused on writing notes with her head down, long black hair and stray hairs by her ears are gently lifted by a slight breeze, long eyelashes cast subtle shadows, skin is naturally pink and tender, a slight, unintentional upturn of the corner of her mouth in concentration, light and even breathing. 4-9 seconds: Switch to a close-up of the boy. His school uniform collar is slightly loose, he props his elbow on the desk and secretly turns his head to gaze at her, his eyes filled with gentle, restrained affection and tenderness, pupils slightly dilated, his Adam's apple gently rolls. Suddenly noticing her pen pause, he quickly and flusteredly turns his head to pretend to look at his own notes, his earlobes quickly turn slightly red, his fingertips tremble slightly as he grips the pen, occasionally glancing at her from under his bangs, his breathing is slightly disordered, and his lips are tightly pressed in an effort to remain calm. 9-15 seconds: Extreme close-up of both faces in the same frame, slow-motion eyes suddenly meet: the girl slowly turns her head, first showing a dazed surprise, then quickly and shyly lowers her head for 0.3 seconds, gently biting her lower lip, her cheeks and earlobes instantly bloom with cherry blossom pink, her moist eyelashes timidly look up to meet his gaze again, while softly and shyly whispering, "...What are you looking at?"; the boy freezes completely, his pupils dilate, and he is stunned for 0.4 seconds, then flusteredly and quietly stutters in response, "N-nothing...". The girl whispers even quieter, biting her lip and peeking at him again, continuing to whisper, "...Liar.". The boy pauses, then gently sighs and whispers, "...Just looking at you.", the corner of his mouth slowly curls up into a shy, gentle, crooked smile, fine lines appear at the corners of his eyes, and his breathing noticeably deepens. An invisible current seems to pull the ambiguous tension between their faces, sharing each other's breathing temperature, the background completely melts into layers of creamy, dreamy light spots, warm halos, and fine air particles. Lip synchronization is natural and precise, emotional micro-tremors and breathing are synchronized, dialogue is low-energy whispering with a shy tone, natural short pauses between 200-400 milliseconds, the mouth only moves slightly when speaking, without exaggeration or robotic feel, perfect natural lip-sync and emotional authenticity. Overall Sound Effects: Distant summer cicada chirping faintly, the soft scratching sound of the pen touching the paper, the almost inaudible low-frequency pulse of their heartbeats, finally fading into a very light, airy piano. The dialogue is completely naturally integrated into the scene as whispers, the girl's voice is soft and shy, the boy transitions from flustered stuttering to gentle. Character identity is maintained throughout, real subtle head tilts, eye movements, and breathing synchronization, no text, watermarks, or subtitles, pure Japanese style youth secret crush heart-fluttering suspense.

Ultra-realistic cinematic portrait of a beautiful young woman in an elegant upscale restaurant at night, wearing a sophisticated black outfit, holding a clear wine glass while gracefully walking through a warm, dimly lit interior. Later, close-up portrait with her looking softly to the side, natural expressive eyes, subtle makeup, smooth realistic skin texture, dark brown hair loosely styled with delicate strands framing her face, intimate and mysterious mood, warm amber practical lights, creamy bokeh in the background, shallow depth of field, cinematic low-key lighting, realistic shadows, luxury editorial photography, 85mm lens, f/1.4, HDR, highly detailed, photorealistic, 8K, vertical 9:16 composition.

A tight blue-and-white striped Lacoste polo shirt laid flat as a luxury fashion still life on white sheets, sharp product photo. Use the exact style, fabric texture, collar, buttons, and green crocodile embroidery logo from space ai x

Why are you so busy every day, if you want to fight then fight prompt: Cinematic realistic texture, pure ancient Chinese Xianxia aesthetics. Collide a truly solemn expert challenge with a meta-comedy of "pre-packaging Jianghu reputation." Absorb: Silent film style reaction rhythm British deadpan logic Hong Kong comedy quick setup and payoff Classic "three-beat progression" structure Adopt: Arri Alexa cinema camera texture Stable clear facial micro-details Fine film grain Natural volumetric light Core Comedy Line Keep only one comedy line immediately understandable on first viewing: An extremely confident enemy swordsman brings a Jianghu record keeper specifically to "objectively record" his upcoming legendary victory; result, before the real duel starts, the two women in image 1 and image 2 discover—the enemy has already paid in advance to decide how the ending will be written. Character Function Principles Record keeper always only plays a deadpan auxiliary role Elderly master only responsible for final kill-shot References and Environment Strictly use @image 1 and @image 2 as character identity anchors. All newly uploaded background and location reference images determine the same environmental DNA. Before formal composition, silently integrate mutually compatible: Real terrain Architectural language Material age Vegetation Water bodies Weather Mountain mist Main light direction Reflection relationships Atmospheric depth Real walkable routes for characters Re-plan into a unique, completely unified new space for this round. Background Principles The following elements in background remain continuously naturally vivid, but absolutely neutral narratively: Natural wind Water bodies Vegetation Cloud layers Distant ordinary disciples Spatial ambient sound Character Settings Character ID A | Sword Immortal Senior Sister Always the same @image 1 Sword Immortal Senior Sister: 25–30 year old East Asian female Tall slender figure Oval face Dark almond eyes Black hair half-tied, fixed with white jade hairpin Always wear same set of white embroidered silk Hanfu Silver waist seal Jade pendant White cloth boots Hold the only silver long sword Character ID B | Junior Sister Always the same @image 2 Junior Sister: 20–25 year old East Asian female Small stature Round lively face Black hair braided Always wear same set of green linen Hanfu Dark belt Wooden hairpin Black cloth shoes Hold the only dark steel sword Other Characters Enemy Swordsman Full of momentum Extremely confident Very concerned about his Jianghu reputation Jianghu Record Keeper Only one middle-aged record keeper Hand holds only brush and a plain paper scroll with no readable text Always deadpan, professional, seriously executing his "recording work" Elderly Master Always steady Only completes one deadpan kill-shot at the end Segment Structure 0–5s | Wide or Long Shot A momentum-filled enemy swordsman enters the open area naturally formed by this round's reference images, followed by the only middle-aged Jianghu record keeper. Record keeper holds only brush and a plain paper scroll with no readable text. Enemy draws sword, very solemnly announces: "Today I invite the gentleman to witness, lest someone loses and denies it." The same Junior Sister glances at the record keeper beside them, calmly evaluating: "Quite formal." The same white-robed sword immortal remains calm throughout. 5–10s | Medium or Cowboy Shot Maintain: Same characters Same clothing Same long sword Same record keeper Same paper scroll Completely consistent geographic space Real duel hasn't started, record keeper suddenly professionally slightly approaches enemy, whispering confirmation: "Young master, still record as 'win in ten moves'?" Whole venue absolute silence half-beat. Enemy's body freezes on spot, immediately lowers voice annoyed questioning: "Didn't we say write after fighting?" Record keeper deadpan answers: "Deposit paid for this ending." The same Junior Sister very slowly shifts gaze from record keeper to enemy's face, incredulously asking: "Ending already bought?" The same Sword Immortal Senior Sister says nothing, only extremely slightly raises one eyebrow, producing real interest for first time. Entire background runs naturally from start to finish, but completely doesn't participate in punchline. 10–15s | Close-up or Extreme Close-up The same white-robed sword immortal very seriously asks record keeper: "What if he loses?" The same record keeper answers with almost zero pause: "Add silver, can change to 'glorious defeat'." Enemy instantly furious: "I won't lose!" Lens focus shifts to the same elderly master naturally existing several steps behind both. Master maintains absolute deadpan throughout, only lightly saying: "Then record a line for him first: Before fighting, revise draft." The same record keeper professionally nods once, immediately raising brush preparing to continue recording. Enemy truly panics this time, shouting: "Don't record this line!" Record keeper pauses half-beat, looking at him seriously evaluating: "This line is also good." Extreme close-up: The same Junior Sister quickly turns face away, shoulders showing extremely slight trembling, desperately suppressing laughter The same Sword Immortal Senior Sister still maintains truly expert solemn expression, very politely gesturing to enemy to continue sparring: "Can we fight now?" Enemy first looks at record keeper, then at sword in his hand, finally at master behind, suddenly realizing what is truly precarious now is not his body, but his painstakingly managed Jianghu reputation. Precisely cut to black before he answers. Comedy Rhythm Principles Whole segment must fit clear "three-beat progression": First Beat Enemy solemnly brings record keeper on stage, like witnessing a legendary victory. Second Beat Record keeper professionally exposes: Win/loss copy already pre-paid decided. Third Beat Master deadpan kill-shot, record keeper prepares to truthfully record, enemy finally discovers real danger is his reputation. Performance Principles Enemy Swordsman Not clown performance Not intentionally funny Must seriously maintain his pomp and dignity Comedy sense can only come from him trying harder to keep reputation, more exposing pre-packaged result Record Keeper Must be extremely professional Deadpan Logic clear Completely doesn't think himself absurd His comedy sense comes from "excessive seriousness" Sword Immortal Senior Sister Calm throughout No mocking No stealing lines Only shows real interest in second half due to absurdity of situation Junior Sister Reactions must be natural No exaggerated laughing Focus on "suppressing laughter" Elderly Master Must be absolutely calm That line "Before fighting, revise draft" should sound like stating fact, not intentionally telling joke Hard Requirements Strict total duration 15 seconds 16:9 Landscape Three consecutive clear shots Native synchronized Mandarin dialogue Precise lip-sync Clear comedy pauses For Seedance 2.0 Mini strengthen multi-reference character identity continuity Character faces stable throughout Hairstyles stable throughout Clothing stable throughout Long sword stable throughout Record keeper props stable throughout Supporting character positions stable throughout Geographic space stable throughout Character movements simple and clear Silk fabric and hair physics realistic Foreground, midground, background maintain natural parallax and real spatial ambient sound No subtitles generated Negative blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

Cinematic photorealistic texture, pure ancient Chinese Xianxia aesthetics. Core: Mature identity conflict, restrained wuxia character performance, veteran-screenwriter dialogue relying on subtext and positioning for twists. Adopt: Arri Alexa cinema camera texture Natural volumetric light Fine film grain Core Twist Break from previously used structures: Defiance Scapegoating Surrender Rescue Loyalty test Place conflict directly on 'Succession' itself. Everyone believes: Greatest recognition for Junior Sister is letting her take Senior Sister's sword, title, and position. True twist is— Because Senior Sister truly recognizes her, she refuses to let Junior Sister's life become merely: "Second version of me." References & Environment Use @Image 1 and @Image 2 strictly as character identity anchors. All uploaded background/location references determine same environmental DNA. Before formal composition, silently reassemble compatible: Real terrain Architectural language Material age Vegetation Water bodies Weather Mountain mist Reflections Main light direction Air depth Form brand new unified location. Background Principle Background persists vividly but narratively neutral. Character Settings Character ID A | Senior Sister (Sword Immortal) Always same @Image 1 Senior Sister: 25–30 year old East Asian female Oval fair face Dark almond eyes Black long hair half-up, secured with white jade hairpin Tall slender figure Wears same white embroidered silk Hanfu Translucent wide sleeves Silver waistband Jade pendant White cloth boots Holds sole silver longsword Character ID B | Junior Sister Always same @Image 2 Junior Sister: 20–25 year old East Asian female Round lively face Black braided hair Petite figure Wears same cyan-green linen Hanfu Dark belt Wooden hairpin Black cloth shoes Holds sole dark steel sword with usage wear Other Minor Characters One elderly master Two sect disciples One external envoy These exist only as minor witnesses. Segment Structure 0–5s | Wide or Long Shot Elderly master presides over formal succession ceremony. He offers ceremonial silver sword symbolizing sword chief identity with both hands, says deeply: "Take the sword. From today, you succeed her position." Junior Sister instinctively reaches out. Fingers haven't touched sword, White-robed Sword Immortal suddenly draws sword, using one extremely clean, restrained blade clash to deflect ceremonial silver sword sideways, must NOT attack anyone. She only says: "She won't take it." Junior Sister immediately turns to look at her: "Why?" 5–10s | Medium or Cowboy Shot Maintain: Same two women Same costumes Same longswords Same ceremonial sword Identical geographic space Master visibly displeased: "You don't recognize her?" Senior Sister truly looks at Junior Sister, answers: "Precisely because I do." Full pause half-beat, then drops line: "My position fits only one me." Shallow depth of field background, external envoy can't help chuckling: "Then what is she?" Senior Sister doesn't even turn to respond, keeps looking at Junior Sister: "Ask yourself." At this moment, no sentimental music forcing emotion, keep only natural spatial sound and low restrained score base. Following background elements continue natural motion, completely uninvolved in plot: Wind Water bodies Mountain mist Sleeves Hair strands Reflections Distant figures 10–15s | Close-up or Extreme Close-up Junior Sister first looks down at deflected ceremonial silver sword, then at old dark steel sword accompanying her for years. She stops asking if she can succeed, changes question, whispers: "Where do I stand?" Senior Sister doesn't decide identity for her, only answers: "Don't stand behind me." Full pause half-beat. After Junior Sister truly understands, steps out from half-step behind Senior Sister, stands shoulder-to-shoulder for first time, tilts head asks: "Here?" Senior Sister keeps looking forward, no praise, no comfort, only says three words: "Move forward." Extreme close-up follows Junior Sister's eye change: She briefly freezes, then truly steps forward full pace, stands ahead of Senior Sister for first time. Senior Sister doesn't pull her, doesn't call her back. Shallow depth of field background: Elderly master completely silent External envoy who was chuckling slowly suppresses smile Final frame clearly stops on: "Junior Sister holding her own old sword standing foremost" Deflected inheritance silver sword remains behind, no one picks it up. This means: Not Junior Sister inheriting Senior Sister's position, But Senior Sister yielding front position to her own path for first time. Dramatic Core What completes isn't "refusing succession", but: Refusing defining Junior Sister as "next Senior Sister" Refusing equating recognition with copying Letting her exist not as continuation of anyone Letting her stand in her own place for first time Performance Principles Sword Immortal Senior Sister Cannot be sentimental Cannot preach Cannot seem sacrificial fulfillment Attitude must be stable, restrained, firm Not denying Junior Sister, but refusing Junior Sister swallowed by her title Junior Sister First half must be natural state of "reaching for position per everyone's expectation" Middle part doesn't understand, but begins wavering Later part truly understands "don't stand behind me" Emotion cannot explode outward Growth must mainly happen via eye-line and positioning changes Elderly Master Initially represents system and traditional order Final silence itself is attitude change No need to admit mistake or explain External Envoy Initially slight bystander disdain Finally suppresses smile, indicating realization this isn't simple refusal but higher-level recognition Hard Requirements Strict total duration 15 seconds 16:9 landscape Strictly three consecutive clear shots Native synchronized Mandarin dialogue Precise lip-sync Precise eye-line relationships Character identity stable throughout Hairstyle stable throughout Costume stable throughout Both original longswords stable throughout Ceremonial silver sword stable throughout Supporting roles positions stable throughout Geographic space stable throughout Character action quantity strictly restrained Three actions must be clearly readable: Blade deflect Turn head Step forward Micro-expressions must be real restrained Silk fabric, metal swords, hair physics natural Foreground/mid/background maintain real parallax and synced spatial ambient sound No subtitles generated Seedance 2.0 Mini Execution Focus For Seedance 2.0 Mini, emphasize: Character reference consistency Multi-character visual hierarchy Few precise action nodes Stable camera continuity Light/shadow continuity Core prop continuity Precise audio-visual sync for dialogue, metal clinks, footsteps, fabric rustle, ambient sound Negative blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props

Inside an abandoned neighborhood cinema being demolished, an elderly projectionist sits alone in the middle of the ruined auditorium watching the final film before the building disappears. Rows of dusty velvet seats surround him, sections of the ceiling are missing, daylight enters through a huge hole in the wall, construction machinery visible outside. The projector continues running, its beam cutting through thick clouds of dust. The camera slowly travels from the ruined entrance down the aisle toward the projectionist, then circles behind him to reveal the projected image across the damaged screen. Realistic live-action cinematography, bleach-bypass film processing, faded burgundy and gold reduced almost to gray, deep blacks, brilliant silver highlights, severe contrast, heavy 35mm grain, subtle scratches and exposure variation, emotionally restrained, no melodrama.

@elonmusk 🦋🍒🧜🏽‍♀️ add elon musk coming up to ask me to dance and us dancing laughing and then him proposing to me.

Create a 30-second premium cinematic advertisement centered around a powerful heavy motorcycle and a striking adult female rider. The film should initially feel like a serious, high-budget cinematic action thriller — NOT a motorcycle commercial. For the first 20 seconds, create mystery and tension. The audience should wonder where she is going, what she is searching for, and why she is riding alone through such a dangerous environment. The motorcycle should feel heavy, powerful, expensive and mechanically realistic. The story should naturally build from: MYSTERY → PURSUIT → DANGER → DESTINATION → REVEAL → HERO PRODUCT Do NOT copy any existing advertisement, film, commercial, character, composition, scene or visual sequence. Create an entirely original story. VISUAL STYLE Photorealistic cinematic filmmaking. Premium high-budget automotive commercial production. Large-format cinema look with 35mm anamorphic photography. Deep cinematic contrast, natural skin texture, realistic motorcycle materials, metal, leather, glass and rubber. Realistic engine vibration, suspension movement and mechanical motion. Subtle film grain, natural motion blur and realistic environmental lighting. No cartoon appearance. No generic AI aesthetic. The motorcycle must remain physically believable and visually consistent throughout the entire film. Use dramatic wide landscapes contrasted with intimate close-ups. The color palette begins cold and desaturated and gradually transitions into rich, warm golden tones toward the final reveal. MAIN CHARACTER A strikingly beautiful adult woman in her late 20s. Dark flowing hair naturally tucked beneath a premium black motorcycle helmet. Confident, focused expression. Natural makeup. She wears a fitted black leather motorcycle jacket, dark riding pants, black gloves and realistic protective riding boots. Her appearance, clothing, helmet and motorcycle remain perfectly consistent throughout the entire film. She should look like a real professional rider, not a fashion model posing on a motorcycle. MOTORCYCLE A massive premium heavy motorcycle. Muscular proportions. Large engine. Wide rear tire. Heavy metallic frame. Premium black and brushed-metal finishes. Realistic suspension movement. Visible engine vibration. Powerful headlight. Subtle reflections across the fuel tank. The motorcycle should feel extremely powerful but elegant. Keep the exact motorcycle design consistent throughout every shot. SCENE 1 — THE UNKNOWN ROAD 0–5 SECONDS EXTREME WIDE CINEMATIC SHOT. A gigantic empty mountain road disappears into dense fog. Cold early-morning atmosphere. Wind moves across the landscape. Nothing else is visible. A distant engine roar slowly grows louder. A heavy motorcycle suddenly emerges from the fog. The female rider sits completely steady as the enormous machine moves through the empty road. Camera gradually moves closer. CUT TO an extreme close-up of her eyes inside the helmet. Focused. Unemotional. She looks toward something far ahead. Her hand subtly tightens around the throttle. The engine note rises. Transition naturally into the next shot while maintaining continuous motion and sound. SCENE 2 — THE PURSUIT 5–10 SECONDS Rapid cinematic sequence. The motorcycle accelerates through a winding mountain road. Low camera almost touching the asphalt. The rear tire throws tiny particles of water from the wet road. Close-up of her gloved hand twisting the throttle. The engine responds with a deep mechanical roar. Close-up of her boot shifting naturally through the gear. Close-up of the speedometer climbing. Wide aerial-style shot: The tiny motorcycle cuts through an enormous mountain landscape. She suddenly checks her rear-view mirror. Something appears to be following her in the far distance, but it is never clearly revealed. Music intensifies. She accelerates harder. Maintain continuous visual flow between shots with no black frames or unnecessary transitions. SCENE 3 — THE DANGER 10–16 SECONDS The weather suddenly becomes violent. Heavy rain begins. Lightning briefly illuminates the mountains. The road narrows dramatically beside a massive cliff. The rider slows. A large fallen tree partially blocks the road. She stops. For a moment, everything becomes quiet except the motorcycle idling in the rain. She looks at the obstacle. Then notices a narrow dirt path disappearing into the dark forest. A subtle confident smile. She turns the handlebars. The heavy motorcycle leaves the paved road. The massive tires crush wet gravel. Mud and water splash naturally around the wheels. The camera follows closely as she enters the forest. She disappears deeper into the darkness. SCENE 4 — THE DESTINATION 16–21 SECONDS The dark forest suddenly opens. The motorcycle emerges onto a spectacular mountain overlook. The storm has cleared. Golden sunlight breaks through the clouds. The entire visual atmosphere transforms from cold and desaturated into rich, warm cinematic tones. The rider slowly stops. She removes her helmet. Her dark hair falls naturally around her shoulders. She looks toward the enormous horizon. For the first time, the mystery becomes clear: She wasn't running from anything. She was searching for this place. She walks toward the edge of the overlook. Then slowly turns back toward the motorcycle. SCENE 5 — THE MOTORCYCLE REVEAL 21–26 SECONDS The music drops into a restrained, almost silent moment. The camera begins a slow, elegant cinematic orbit around the motorcycle. Golden sunlight glides across the metallic bodywork. Show beautiful macro details through fluid transitions: Engine components. Brushed-metal frame. Fuel tank reflections. Headlight. Leather seat. Brake assembly. Wide rear tire. Suspension. Small mechanical vibrations are visible while the engine idles. The rider sits back on the motorcycle. She starts the engine. A deep, powerful mechanical sound fills the mountain landscape. She gives the throttle one controlled twist. VOICEOVER: “Some roads aren't meant to be easy.” Brief pause. “They're meant to be remembered.” No text appears on screen during the story. SCENE 6 — FINAL HERO SHOT 26–30 SECONDS Ultra-premium cinematic hero shot. The woman sits confidently on the heavy motorcycle at the edge of the mountain overlook. Golden sunset behind her. Wind moves her hair and leather jacket naturally. The motorcycle dominates the foreground. The camera slowly pushes toward the front headlight. The headlight switches on. Hold for a powerful final composition. Only now introduce minimal elegant typography: BUILT FOR THE ROAD. After a brief beat, reveal the motorcycle brand name beneath it. Final sound: ONE DEEP ENGINE REV. CUT TO BLACK ONLY AT THE VERY END.

Use the uploaded woman as the visual reference and preserve her facial appearance, hairstyle, and overall look. Place her in a beautiful natural setting—lush green meadow surrounded by trees, wildflowers, mountains in the distance, warm golden-hour sunlight and gentle wind. She happily sings and dances naturally through the meadow, moving rhythmically and playfully while occasionally looking toward the camera. Cinematic realistic footage, smooth camera tracking, natural body movement, flowing hair and clothing, realistic lighting, vibrant but natural colors, shallow depth of field, joyful music-video atmosphere, high detail, 4K, no text, no distortion, no extra people.”

Create a 30-second cinematic, ultra-realistic wuxia-style video set at night in an ancient Chinese village, with traditional wooden buildings, a stone-paved street, a small arched bridge, misty mountains in the background, and many glowing red lanterns hanging along the street. A beautiful young woman in an elegant flowing red traditional Chinese Hanfu walks calmly toward the camera, with long dark hair styled traditionally and a serious, confident expression. As she moves closer, the camera slowly pushes in and follows her naturally, capturing the lantern light, fabric movement, atmospheric mist, and realistic footsteps. Around the middle of the scene, she suddenly stops and confidently draws a glowing red magical sword, holding it horizontally in front of her while her expression becomes focused and powerful. The camera moves into a dramatic close-up of her face and sword, showing realistic skin texture, detailed hair, glowing reflections, and cinematic depth of field. Several mysterious black-clothed attackers appear around her, rushing toward her from different directions, creating a tense martial-arts atmosphere. She swiftly turns and performs powerful choreographed sword movements, blocking and striking the attackers with fast but believable movements while the glowing sword leaves subtle red light trails. The attackers are knocked down onto the stone street around her, while she remains standing confidently in the center with her sword raised, surrounded by red lanterns and light mist. End with a wide cinematic shot slowly pulling back to reveal the woman standing alone among the fallen attackers, ancient village buildings and mountains behind her, maintaining consistent character appearance, realistic motion, cinematic lighting, detailed textures, dramatic atmosphere, smooth camera movement, 16:9 aspect ratio, 30 seconds, no text, no watermark.

Cinematic horror-action short film set in a museum exhibit hall, opens with an immediate strong hook, maximum dynamic camera work, grounded practical-effects style. Museum filled with glass display cases containing various creature exhibits — alien figures, preserved specimens, mythical beings — visitors walking through admiring the displays under dramatic exhibit lighting. Muted authentic color grading, natural diegetic sound throughout, tension score entering immediately. > > **[0-1s]** Hard cut: one glass display case cracks violently, then shatters outward. > > **[1-2s]** A shadow-wraith creature emerges — translucent, smoke-like form, clawed limbs, glowing red eyes. > > **[2-3s]** It lunges at the nearest visitor with unnatural speed, closing the distance instantly. > > **[3-4s]** He's knocked down hard, collapsing to the floor motionless. > > **[4-5s]** Nearby visitors scream, scrambling back from the exhibit. > > **[5-6s]** The creature turns fast, striking down a second visitor just as quickly. > > **[6-7s]** Panic spreads through the hall, people sprinting toward the exits. > > **[7-8s]** Two security guards rush in, weapons drawn, scanning the chaos. > > **[8-9s]** They open fire toward the creature's position, but it moves in an unnatural burst of speed. > > **[9-10s]** The shots miss entirely, striking a display case behind where it stood. > > **[10-11s]** The creature vanishes into the shadows between exhibits, gone from sight. > > **[11-12s]** Wide shot: visitors hide behind pillars and display cases, guards fanning out cautiously. > > **[12-14s]** More security guards arrive, forming a slow, careful search line through the hall. > > **[14-16s]** Tracking shot: they move deliberately between exhibits, weapons raised, scanning every shadow. > > **[16-17s]** A guard's flashlight catches a brief glimpse of red eyes in a dark corner. > > **[17-18s]** The creature bursts out suddenly, striking down two guards in rapid succession. > > **[18-19s]** The remaining guards scramble back, regrouping fast near a central display. > > **[19-20s]** SLOW MOTION insert: the creature turns toward the lead guard, lunging forward. > > **[20-21s]** He holds his ground, tracking its movement carefully despite the danger. > > **[21-22s]** He fires a precise, well-aimed shot just as it closes in. > > **[22-23s]** The shot connects solidly, the creature's form flickering violently. > > **[23-24s]** It staggers, its translucent body destabilizing rapidly. > > **[24-25s]** It collapses to the floor, form dissolving into wisps of dark smoke. > > **[25-27s]** Wide shot: the hall falls silent, guards lowering their weapons slowly, breathing hard. > > **[27-29s]** They check on the fallen visitors and guards, some beginning to stir, shaken but alive. > > **[29-30s]** Final shot: the lead guard stands over the dissolved remains, radio crackling as backup

[Generation Goal] Generate a short continuous video of Eric Cartman angrily swearing at his teacher because he is not allowed to go to the bathroom, with clear reactions from the teacher and the surrounding students. [Subjects and Relationships] Eri...

Create a cinematic, realistic educational video set inside a modern university physics laboratory. A confident male physics professor walks into the classroom carrying a coffee cup and a notebook, while students sit attentively in a large lecture hall. The scene then transitions to a hands-on physics experiment where the professor and a group of students gather around a transparent inclined track. A small metallic ball is carefully placed on the track, creating a clear visual demonstration of motion, gravity, acceleration, and energy. Show detailed close-up shots of the transparent rail, metal ball, students observing closely, and the professor guiding the experiment with natural hand movements. Use smooth camera movements, realistic depth of field, natural facial expressions, and authentic classroom interactions to make the experiment feel engaging and believable. Include cinematic laboratory lighting with soft indoor illumination and warm sunlight entering through large windows. End with the professor working at a laboratory table during golden-hour lighting, surrounded by scientific equipment, creating a thoughtful and inspiring academic atmosphere.

Turn {argument name="person" default="Sundar Pichai"} in to a ‘Monster that nobody knows’

Cinematic horror-thriller short film set at a mountain ski resort lodge during a snowstorm, opens with an immediate hook, grounded realistic style, maximum dynamic camera work. Setting: a cozy wooden lodge interior with a fireplace, large windows looking out to falling snow, guests relaxing with hot drinks. CHARACTER LOCK: the main character is a lodge staff member, a woman in her late 20s, red ski jacket, consistent in every shot. Muted cold-toned color grading, natural diegetic sound throughout, tension score entering immediately. > > **[0-1s]** Hard cut: the large lodge window frosts over instantly from outside, ice crystals spreading unnaturally fast across the glass. > > **[1-2s]** It shatters inward, a humanoid creature of jagged ice and frost crystal stepping through, breath visible as steam in the sudden cold. > > **[2-3s]** Nearby guests gasp, backing away from their tables near the fireplace. > > **[3-4s]** It moves toward the nearest guest, a thin layer of frost spreading across anything it touches. > > **[4-5s]** He stumbles back, his sleeve frosting over where it brushed him. > > **[5-6s]** Panic spreads through the lodge, guests scrambling toward the far end of the room. > > **[6-7s]** The staff member grabs a fire poker from beside the fireplace, stepping between the creature and the fleeing guests. > > **[7-8s]** It turns toward her, crystalline features catching the firelight. > > **[8-9s]** She swings the poker; it connects, a crack splintering across its icy shoulder. > > **[9-10s]** It recoils, frost receding slightly from the point of impact. > > **[10-11s]** A second staff member grabs a thermos of hot water, flinging it directly at the creature. > > **[11-12s]** Steam erupts where the water hits, the ice visibly weakening at the contact point. > > **[12-13s]** It staggers, momentarily destabilized, frost patterns flickering across its form. > > **[13-14s]** The staff member presses the advantage, striking again with the poker. > > **[14-15s]** Wide shot: guests reach the far hallway, a few glancing back in fear. > > **[15-16s]** The creature lunges toward her, icy claws reaching out. > > **[16-17s]** She ducks low, narrowly avoiding the strike, rolling toward the fireplace. > > **[17-18s]** She grabs a burning log directly from the fire with gloved hands. > > **[18-19s]** SLOW MOTION insert: she swings it in an arc toward the creature's chest. > > **[19-20s]** Contact sends a shockwave of cracking ice through its entire body. > > **[20-21s]** It freezes mid-motion, fractures spreading rapidly across its crystalline form. > > **[21-22s]** SLOW MOTION: it shatters apart into scattering ice fragments and swirling cold mist. > > **[22-24s]** Wide shot: the fragments melt quickly near the fireplace's warmth, leaving only a damp patch on the floor. > > **[24-26s]** She stands breathing hard, log still smoking slightly in her hand, snow drifting in through the broken wi

Please create a parody silent movie about a controversial topic demonstrating behaviors in humans that confuse AI. The audio is only old-timey music like they used to have in the old days. At the conclusion, display a half-second word identifying the trait.

[Global Settings] Ancient-style realistic cinematic shot, Eastern classical life narrative, Jiangnan ancient town after rain: bluestone steps, blue bricks and black tiles, wooden corridors, carved wooden doors, bamboo curtains, wet stone alleys. Soft diffused light under cloudy skies, low contrast, fusion of cold gray-green and warm wood tones, slight 35mm film grain, realistic skin, wood, stone, and fabric textures, cinematic shallow depth of field, 8K, 16:9. Female Lead A: Image 1 Female Lead B: Image 2 Strictly maintain character identity, spatial position, left-right relationship, direction of movement, weather, lighting, and color tone continuity throughout the video. [Core Cinematography Technique] The entire video uses "progressive optical zoom" as the sole core camera movement. The camera remains as fixed as possible, relying not on physical movement but on slow, continuous optical push-ins and pull-outs to change the characters' screen proportion and spatial relationships. Maintain real lens compression, depth of field changes, and optical characteristics; prohibit digital cropping. Foreground occlusion, shallow depth of field, and focus shifts assist the narrative, forming "discovery from afar -> eye contact across the alley -> spatial compression -> emotional confirmation." [0-4s] Medium shot start, 35mm, fixed camera, eye level. Female Lead A slowly descends along the bluestone steps to the alley entrance, stops, turns, and looks up, seeing Female Lead B under the distant corridor eaves. The shot begins with a wider environmental relationship composition, only slowly optically pushing in, gradually tightening to a medium shot of Female Lead A, with no camera movement. Town pedestrians pass horizontally through the foreground from left and right, creating natural blurred occlusions at close range, while Female Lead A remains clear; exposure, color temperature, and light/shadow remain stable during occlusion. The zoom continues smoothly and restrainedly, finally forming an eye contact between Female Lead A and Female Lead B across the alley. [4-9s] Continuing from the previous segment, the camera position remains completely unchanged. Female Lead B slowly enters from the right foreground, approaching the wooden corridor pillar, forming a natural foreground frame with the pillar; Female Lead A is deep in the left-middle alley. Slow continuous optical zoom, Female Lead A initially remains clear, then the shot gradually tightens, Female Lead B's foreground proportion increases, and Female Lead A recedes into the background with soft blur. Gradually entering the telephoto end, real space compression makes the depth of the ancient alley appear compressed; the actual distance between the two remains unchanged, but the visual distance is clearly shortened. Focus shifts smoothly from Female Lead A to Female Lead B, ending with Female Lead B's side profile clear and Female Lead A blurred. No lateral movement, panning, or orbiting; exposure and tone are continuous. [9-13s] Maintain fixed camera and telephoto relationship. Female Lead B stands by the wooden corridor pillar, slowly turning to look at Female Lead A. Perform only one extremely slow optical push-in, tightening from a two-person relationship composition to a medium close-up of Female Lead B. Retain a partial blurred outline of Female Lead A on the left side of the screen, forming a peeping-style foreground frame. Female Lead B becomes the main focus, looking at Female Lead A, pausing briefly before softly saying: "Long time no see." Showing a faint smile. Bamboo curtains are blown by the gentle post-rain breeze, water drops fall naturally from the eaves, and wet bluestone reflects soft sky light. The camera advances steadily, ending in close-range emotional confirmation. [Camera Control] The core must be "optical zoom creating narrative distance changes," rather than camera movement. Camera language completes sequentially: environment establishment -> discovery of Female Lead A -> slow tightening -> Female Lead B enters foreground -> telephoto space compression -> focus shift -> emotional confirmation. Zoom speed is slow and continuous, with real lens inertia; maintain natural character proportions, real depth of field, and stable exposure, clearly presenting the optical zoom feel without cheap digital enlargement. [Continuity and Negative Constraints] Strictly follow character cards, prohibit drift in appearance, hairstyle, or clothing; maintain consistency in spatial geographic relationships, left/right positions, movement directions, and light directions. Prohibit modern buildings, vehicles, road signs, modern objects, subtitles, watermarks; prohibit adding major characters, character duplication, limb abnormalities, or identity swaps. Prohibit lateral movement, orbiting, sudden panning, drone movement, strong handheld shake, digital zoom, digital cropping, perspective anomalies, focal length jumps, instant depth of field cuts, exposure flickering, color temperature drift, excessive fogging, excessive smoothing, AI plastic skin.

Create a high-quality cinematic 3D animated short film featuring adorable, stylized baby otter-like woodland creatures in a beautiful sunny meadow. Scene 1: A cute brown baby otter stands in a lush green meadow, happily holding a large shiny blue berry with both paws. It has soft brown fur, a round chubby body, huge glossy black eyes, rosy cheeks, and a tiny dark scarf around its neck. The character looks innocent and curious. Warm morning sunlight, soft grass, rolling green hills, tall trees, blue sky, cinematic depth of field. Scene 2: The blue berry slips from the otter's paws and rolls quickly down a gentle grassy slope. The little brown otter runs after it, trying desperately to catch it. The camera follows the rolling berry with a smooth dynamic tracking shot while the otter runs behind it. Scene 3: The berry rolls toward a large hollow fallen tree trunk lying in the meadow and stops near its entrance. The brown otter reaches the tree and looks around curiously, wondering where the berry went. Scene 4: The camera moves upward through the surrounding trees toward the bright sunlight shining through the leaves. A magical, peaceful atmosphere fills the scene with glowing sun rays, floating dust particles, and gentle wind moving the leaves. Scene 5: A second adorable baby otter appears — smaller and gray-colored, with soft gray fur, a round chubby body, huge expressive black eyes, rosy cheeks, and an innocent expression. It comes out near the fallen tree and notices the brown otter. Scene 6: The gray otter and brown otter interact playfully near the hollow tree. They look at each other with curiosity and surprise, then move around the tree together. Keep their character designs consistent throughout the entire video. Scene 7: The gray otter climbs onto a nearby tree branch and looks around. The camera follows from behind and slightly below, showing the bright green forest canopy and warm sunlight filtering through the leaves. Scene 8: The gray otter rests against a large moss-covered rock, looking sleepy and exhausted. Its eyes become heavy as it relaxes in the warm sunlight. Scene 9: The gray otter suddenly notices the shiny blue berry again. The camera cuts to a close-up as it happily picks up the berry with both paws. Its huge eyes sparkle with excitement. Scene 10: The gray otter proudly holds the blue berry close to its face and smiles innocently. The brown otter approaches from behind. Final scene: The brown otter gently jumps onto the gray otter in a playful, affectionate hug. They tumble softly onto the grass together beside the blue berry, laughing and cuddling. Tiny glowing sparkles appear around them as they lie peacefully in the meadow. Visual style: premium cinematic 3D animation, adorable family-friendly characters, soft detailed fur, expressive oversized eyes, rounded proportions, vibrant natural environment, warm golden sunlight, volumetric lighting, soft shadows, realistic grass an

Table set with a pot of soup cornbread wedge of cheddar cheese glass of water with lemon wedge window over looks the sea hummingbird feeder with hummingbird outside the window

Ultra-realistic cinematic scene of a young East Asian female student standing in a bright Korean school cafeteria, wearing a neat white school uniform shirt with a blue plaid tie and dark navy skirt, holding a stainless-steel lunch tray toward the camera. The tray contains fluffy steamed white rice, red spicy soup, sausages, vegetables, and traditional side dishes. Other students are seated at tables in the softly blurred background. Natural indoor lighting, realistic food textures, shallow depth of field, creamy bokeh, cinematic composition, detailed skin and fabric texture, 85mm lens, f/1.8, HDR, photorealistic, 8K, vertical 9:16 composition, warm authentic school-life atmosphere

Eric Cartman punches the alien off the chair, Eric cartman hops in, Eric Cartman turns the spaceship upside down and shakes it (kyle butters and co reaction) (Censored language)

Create for me what the "Initial singularity" might have looked like and contrast that with the cooling of the Universe as the energy condensed into matter. Present for me a pictorial of Einstein's theory: E = mc2 No text on the picture Grok